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Pedro Aznar reviewed his 35 years of experience in Bernal

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Under an intimate format, where he displayed his talent, musician Pedro Aznar presented his new show, "Resonance - 35 years", with reviewing his entire solo career.

First, the musician will take a tour of the Buenos Aires stages, before his big presentation at the Gran Rex Theater (first of September). This show began in the town of Canning and continued in Bernal.

"Thank you all very much for coming and for the accompaniment of all these years", said the musician after the start of the show, that had the spectacular version of "Because" by The Beatles, "The night dreams the day" and "Photos of Tokyo".

After this trio of songs, Aznar explained to his audience that he chose "to do a retrospective that will go from the oldest songs to the newest", in reference to the list of songs that are part of the concert.

After his words, “Los Niños de la Calle” and “Barrio Marginal” followed., Pedro's version of the Stevie Wonder song.

Along with the songs, the show showed different images and videos that accompanied the show at all times. But without a doubt, the extra spice that these concerts have had has been the silence and the attention of the people, only cut off by the thunderous applause at the end of each song.

After "Betrayal", song belonging to the album "Body and Soul", the musician provided a string of some of his songs most related to folklore such as “Soledad, Jujuy 1941 "; "Paper dolls"; "Romance de luna tucumana" and "La paz".

During the concert, Aznar showed off many of his instruments and showed his qualities as a guitarist, keyboardist and bassist, besides doing the percussion (even helped by the audience in various passages).

After the emotional "Lina de muto", another of the great classics arrived like “To each man, to every woman ", work registered with Serú Girán.

As the show grew in terms of weather, the final stage arrived with the version of "Tema de Pototo", Almond; "Sorry" (song that the musician dedicated exclusively to bass created by luthier Eduardo “Fanta” Beaudoux) and "Contraluz".

After the "false closing", encores time has come: the first with "She was lost"; "Broke", "At first sight" and "There is no way to ask for forgiveness", elton john classic.

Thus, Aznar's new show becomes unmissable for all those who not only enjoy his songs, but for all those who want to get closer to the work of one of the fundamental pillars of national music.

related notes

Pedro Aznar starts his tour Buenos Aires

 

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