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Opens four samples in Cultural Recoleta

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From Tuesday 11 of April, They inaugurated four new samples in the Recoleta Cultural Center. further, Vivan remain on display women and Museum imaginary worlds.

The new samples correspond to Artificial Intelligence and Today. Portraits of former soldiers in Malvinas. To these two proposals are added two new selections of the Radar cycle, the Cultural Recoleta hotline dedicated to the dissemination and promotion of new talents, like Inside my house there is a forest and Gagá Vault.

Entrance totally free and free, These exhibitions will be officially inaugurated from 19 hours in the cultural enclosure located on Junín street 1930. While, The hours to visit it will be from Tuesday to Friday from 13.30 a 22 or saturdays, Sundays and holidays from 11.30 a 22 hours.

Inside my house there is a forest is an exhibition belonging to Virginia Sotti, which has the curatorship of Ximena Pereyra. This sample can be seen until 25 June in the living room 8.

Meanwhile, Bóveda Gagá is the second proposal that belongs to the Radar cycle, with the possibility of seeing each other until 25 June in the living room 7. It belongs to the artist Ana Vogelfang, with the curatorship of Daniela Brunand.

In the halls 3, 4 Y 5 the Artificial Intelligence exhibition is located, by Oligatega, a group of artists formed in Buenos Aires that has been doing their work since 1999.

In this opportunity, also until 25 of June, Maxi Bellmann will exhibit, Mateo Amaral, Bishop Demestre and Mariano Giraud.

Finally, and in the framework of the commemoration of 35 anniversary of the Falklands war, The Hoy exhibition will honor the faces of those soldiers who participated in the war in the archipelago.

The portraits are by Adrián Rocha Novoa and can be seen until 14 May in the living room 6 of the enclosure.

It should be noted that until 24 Y 30 of April, respectively, the samples can be enjoyed The museum of imaginary worlds (curated by Rodrigo Alonso) in the Cronopios rooms, J and C and Long live the women (with the curatorship of Clarisa Moura) in the Patio de los Tilos.

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